Showing posts with label purse. Show all posts
Showing posts with label purse. Show all posts

Wednesday, December 11, 2019

100 Days of SCA Service


I began the 100 Days of SCA Service challenge with low expectation of actually being able to complete it. After all, I don't do heraldic consultations every day. There's only so much commenting to be done in OSCAR. Archery season is over for the year, so I'm not marshaling. How would I come up with something to do every single day?

Making largesse became the glaringly obvious answer. Hats, medallion cords, pouches, balls for the toy chest, wire-wrapped rings. Quick and easy projects--just one a day has left me with quite a stash to donate to barony/kingdom in the coming months.

Day 100 is next Tuesday. I can't believe I've made it!

Monday, May 21, 2018

Catch Up Post

As you may already know, my old laptop crashed last August. With it went all my research and documentation, and in many cases, my photos of projects in progress. As a result, nothing I worked on for a good eight months got documented here. This post is a quick-and-dirty attempt to correct that. The Evil Eye Quest has already received its own post, of course, but here is a smattering of what else I have been up to.

Dad's Christmas Gift

My love of heraldry began long before I discovered the SCA. We had a stained glass window in our house when I was a kid that was the Dillon coat of arms. Are we actually *that* Dillon family? I don't really know. But I have a fondness for the coat of arms nonetheless, and I know it is meaningful to my father. Therefore, for Christmas, I decided to make Dad a blackjack with the arms tooled and painted on.

Before and after vinegaroon.
This project also gave me the opportunity to try out vinegaroon, which I had taken a class on at Pennsic, to make the leather black instead of brown. A jug of vinegar, a bunch of steel wool, and two months later, a test piece of leather revealed that it did, in fact, make a delightful black shade.

I knew before I even started that that lion was going to put my artistic abilities to the test. As I did with the dragon on Fina's mug, I decided to only paint Dad's lion rather than tooling it. Somehow, foolishly, I thought that free-handing the lion would be a better idea than trying to trace it onto the mug.

It was SO bad that I posted a photo of the resulting critter on Facebook, asking my friends to guess what type of animal it was:


Unsurprisingly, nobody guessed it was a lion.

After that debacle, I resigned myself to tracing it. It was rough, but at least it was recognizable.

Finished painting, before wax.
When I was done painting the device, I actually hesitated about applying the wax to the outside (even though I knew I had to). It had such a nice finish already--I didn't want to risk losing some of its very appealing sheen. Despite its pleasant appearance, though, I could feel that the vinegaroon process had already made the leather more brittle. I feared that leaving the exterior unprotected would lead to dry, cracked leather over time. And, of course, I had to seal up the seams to be able to pour the sealant inside.

Dad's got Envirotex Lite sealing the inside of his mug so he can drink his beloved hot tea from it.

After wax.
The wax made the black a little bit darker, which was not entirely unexpected. It pushed the leather from the chocolatey black above to pretty much a true black. It created a nice, sharp contrast with the white of the coat of arms.

I used red cotton crochet thread to stitch Dad's mug--another first, and another experiment. It seemed like a strong, sturdy choice, and I knew that the waxing process would soak and protect the thread as well. I like the pop of color around the seams, complementing the red crescents and lion in the coat of arms.


Dad seemed very pleased with his present!



Nobelese Largesse Swap #13: Tokens, Talismans and Tools

For Swap #13, I decided right away to go with the "Tokens" part of the title. I made 50 wire-wrap rings for Natasha to hand out as she sees fit. I chose an orange sea-glass bead for the rings because she had recently made for herself a beautiful orange and green gown.

After I finished the rings, though, it occurred to me that once she gave them all away, she would have nothing left for herself from this swap. So I decided to make her a little coin purse to match her new gown, and in which she could carry the rings at events.

Gift received by Natasha!


Supplies included in kit.
This project was an absolute first for me. I don't sew. I've never made a purse. It's way out of period for where I normally work. Fortunately, Billy & Charlie's had JUST started offering kits to go with their new line of purse frames, and one of the options was a beautiful orange and green brocade. I snatched that up right quick and got to work! The kit came with a very detailed, step-by-step guide on how to create the purse. The whole thing from start to finish took me between two and three hours to complete.

I started by cutting the brown lining and the brocade to match the pattern they included (not pictured). With wrong sides out, I stitched the two pieces of fabric together, leaving a small gap at one side to turn later the purse rightside-out. I used saddle stitch, mostly because it's the one stitch I know from my leatherwork. After I turned the purse rightside-out, I had to YouTube a how-to video for closing the gap.

With that done, it was time to attach the purse frame. I tried hard to center the brocade motif in the frame, but it still came out a little bit crooked. I used a whipstitch to fasten the frame to the material.

After the frame was secure, I cut the holes and threaded the ribbon through the fabric before stitching the sides of the purse closed. I used brown thread, both to attach the frame and to stitch the sides of the purse closed. I again used whipstitch for the sides -- I think for future projects I will research and practice a better option, but it did get the job done.

The last step was to attach the two tiny tassels to the corners of the purse. And voila! It was done! It was a lot smaller than I anticipated, even knowing that I had ordered the small kit option. But I thought it was just too adorable, and I was also really proud of it!


Tiny purse!

It holds about a dozen of the rings at one time, without gaping open. I hope Natasha gets lots of use and enjoyment from it!



Assorted Largesse Projects

My friend Anna Leigh from Aethelmearc put out a call over the winter for artisans to contribute to the thank-you gift bags for the teachers at Gulf Wars. I volunteered to make some Viking Wire Weave chains, some wire-wrap rings, and also some Anglo-Saxon rings like this one in the British Museum.

I built up my stockpile of token rings as well, in anticipation of the approaching event season. Most of these will be left at A&S displays and given to performers at Keeper of the Central Flame, Wars of the Roses, and East Kingdom 50 Year. I'm still in the planning stages of tokens I can make for archers who do something spiffy--stay tuned for those!


There is one more top-secret largesse project that has been in the works for months, too, but I cannot reveal it yet--I'll link back to it here once it has been delivered!

Sunday, May 15, 2016

Nobelese Largesse Swap #10: Ambiance

After having so much fun with Swap #9, I jumped at the opportunity to participate in the Ambiance swap that was announced next! I was assigned to Lady Felicia FizMaurice, who lives in An Tir. I read through her completed questionnaire and took note of several things--items for the table, jewelry (but not rings), shades of blue, 1200-1400 period ...

I wound up doing three different items for Felicia. The first was a completely period blackjack--my first-ever attempt at using only beeswax to seal a mug.

The second item I made for her was a necklace. It is Viking wire weave, made of 26-gauge silver-enameled copper wire, woven in a double-weave pattern. It is finished off with end cones and a simple ring-and-bar clasp.








The last item I made was a small coin purse, based on a single extant example from the fourteenth century in the Bryggen Museum in Bergen, Norway. I'll go into this item in detail, because I've not previously recorded this process. I learned to make these purses from a class taught at Atlantian University by Mistress Sigrid Briansdotter.

Trying to track down information about the extant piece is frustrating. The museum does not seem to have an online gallery. Fortunately, other reenactors have made replicas of the purse and documented the process, and some of them even have photos they took when they visited the museum.

For my project, the body of the purse is made of split deerskin, cut in a circle the size of a dinner plate and pierced with threading holes--one hole every ten degrees in a small ring around the center and a larger ring near the edge. The small ring is three inches in diameter. The large ring is an inch from the edge of the leather.

The original purse was strung with leather cord, but I instead used blue fingerloop braid cord to give the purse just a small pop of color. 

The smaller circle that holds the bottom "cup" in place in the finished purse was threaded using what is known in embroidery as a "whipped running" stitch--first it is running-stitched, and then a second time around with the needle, whip-stitching into the thread of the running stitch rather than into the leather itself.

The outer circle is just threaded with a running stitch, and the loose ends of the cord are tied together. When the purse is gathered, it leaves a length of purse strings which can be affixed to the wearer's belt. 


I hope Lady Felicia likes her items!